Migrants, from the series Landscape to be defined, 2007.
About the series
To speak of the Río de la Plata as a surface, as a stage, as a neutral platform.
The river analogous to the plain with which it merges.
To seek to define a landscape of attraction and shelter or, later, of danger and rejection.
To define it by its minimal geometry that only catches the eye in the very light trace of the horizon, by the color of earth melted in water... or by the reverberation of the light crying what it hides in the soft texture of the plane.
Half earth, half water, a sad mantle that covers names and blurs the traces of a battlefield, a fertile mantle that gave more than expected. A temperate home where, at times, it becomes difficult to feel at home.
The ubiquitous and flickering outline of the horizon is only ahead, it responds to the poles of violence, of refuge, of depletion and abundance. The horizon is direction and certainty, a line behind which inevitably lies a livable reality. Petals rain down, like thousands of individual stories.
Works
Exhibitions
Premio Centenario Roggio de Artes Visuales. Museo Provincial de Bellas Artes Emilio Caraffa. Córdoba, Argentina, 2008
Paisaje a definir (Migrantes). Art Gallery Jolie Bistro. Curatorship: Fabián Trigo. Buenos Aires, 2012
Realidad y Utopía. 200 años de arte argentino: una visión desde el presente. Academia de las Artes de Berlín. Sede Pariser Platz. Curatorship: Diana Wechsler. Berlín, Alemania, 2010
636. Seis ríos, tres países, seis artistas. Museo de Arte Contemporáneo (MAC). Curatorship: Mario Fonseca. Santiago de Chile, Chile, 2008